Dot W Media

Photoshop has had two automated colour-correction tools for some time now: Auto Levels and Auto Contrast. Neither are very good.
Way back in Photoshop 7, Adobe introduced Auto Colour, which is much better than either Auto Levels or Auto Contrast; but you can tweak Auto Colour to get even better results, all with just one click.

Step One
Open a photo that needs a small amount of correcting, but not one that warrants taking the time to do a full, manual colour correction using Curves.

Step Two
Go under the Image menu, under Adjustments, and choose Auto Colour to apply an auto correction to your photo. When you apply Auto Colour, it just does its thing. It doesn't ask you to input numbers or make decisions basically, it's a one-trick pony that tries to neutralize the highlight, midtone, and shadow areas of your photo. In some cases, it does a pretty darn decent job, in others, well...let's just say it falls a bit short. But you can super-charge Auto Colour to get dramatically better results, and transform it from a "toy" into a real colour-correction tool.

Step Three
After you've applied Auto Colour, one way you can tweak its effect on your photo is by going under the Edit menu and choosing Fade Auto Color. (Note: This is only available immediately after you apply Auto Colour.) When the Fade dialog appears, drag the Opacity slider to the left to reduce the effect of the Auto Colour. Move the slider until the photo looks good to you. You can also change the blend mode (from the Mode popup menu) to further adjust your photo (Multiply makes it darker, Screen makes it lighter, etc.). When you click OK in the Fade dialog, your color is faded.

Step Four
So now you know the "Apply-Auto-Colour-and-Fade" technique, which is fine, but there's something better: tweaking Auto Colour's options before you apply it. Believe it or not, there are hidden options for how Auto Colour works. (They're not really hidden; they're just put someplace you'd probably never look.) To get to these Auto Coloru options, press Command-L (PC: Control-L) to bring up the Levels dialog. On the right side of the dialog, you'll see an Auto button. That's not it. Instead, click on the button just below it, named Options. This is where Adobe hid the Auto Colour options (along with other options, as you'll soon see).

Step Five
At the top of this dialog, under the Algorithms section, you can determine what happens when you click on the Auto button within the Levels or Curves dialog. If you click on the topmost choice, Enhance Monochromatic Contrast, clicking the Auto button will apply a somewhat lame Auto Levels auto correction. If you choose Enhance Per Channel Contrast, clicking the Auto button will apply the equally lame Auto Contrast auto correction. What you want instead is to choose both the Find Dark & Light Colours (which sets your highlight and shadow points) and Snap Neutral Midtones (which sets your midtones). With these settings, Auto Colour (the most powerful of the auto-correction tools) will now be applied if you click the Auto button in either the Levels or Curves dialog.

Step Six
In the Target Colours & Clipping section, you can click on each target colour swatch (Shadows, Midtones, Highlights) and enter the RGB values you'd prefer Auto Colour to use, rather than the defaults, which are...well, a bit yucky! I use the same settings that we entered in our manual Curves correction earlier in this chapter (Shadows: R: 20, G: 20, B: 20; Midtones: R: 133, G: 133, B: 133; and Highlights: R: 244, G: 244, B: 244).

Step Seven
To save these settings as your defaults, click on the Save as Defaults checkbox in the bottom-left side of the dialog. When you click OK to
close the options dialog and save the settings, you've done three very important things:
(1) You've majorly tweaked Auto Colour's settings to give you better results every time you use it.
(2) You've assigned Auto Colour as the default auto correction when you click on the Auto button in the Curves or Levels dialog.
(3) You've turned Auto Colour into a useful tool that you'll use way more than you'd think.